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 <title>Norton Two-Times Whitney, MoMA</title>
 <link>http://www.observer.com/node/48939</link>
 <description><![CDATA[<!--paging_filter-->As the Whitney Biennial launches this week to the usual hyperbolic chorus of yays and nays, behind t <span class='read-more'><a href="http://www.observer.com/node/48939">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/48939#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/46836">Eileen Norton</category>
 <category domain="http://www.observer.com/taxonomy/term/37315">Leonard Lauder</category>
 <category domain="http://www.observer.com/taxonomy/term/37438">Maxwell Anderson</category>
 <category domain="http://www.observer.com/taxonomy/term/28069">Peter Norton</category>
 <pubDate>Sun, 14 Mar 2004 19:00:00 -0500</pubDate>
 <dc:creator>Rachel Donadio</dc:creator>
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 <title>Art Diary</title>
 <link>http://www.observer.com/node/47069</link>
 <description><![CDATA[<!--paging_filter-->The Rich Rewards of EngagementWith Dense, Demanding Work
 <span class='read-more'><a href="http://www.observer.com/node/47069">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/47069#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/44909">Nicky Nodjoumi</category>
 <category domain="http://www.observer.com/taxonomy/term/44910">Studio School</category>
 <category domain="http://www.observer.com/taxonomy/term/33028">Thomas Nozkowski</category>
 <category domain="http://www.observer.com/taxonomy/term/34987">York Studio School</category>
 <pubDate>Sun, 02 Feb 2003 19:00:00 -0500</pubDate>
 <dc:creator>Mario Naves</dc:creator>
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 <title>Father and Daughter Reunion In Brutal but Riveting Met Show</title>
 <link>http://www.observer.com/node/45851</link>
 <description><![CDATA[<!--paging_filter-->To understand why the 17th-century Italian painter Artemisia Gentileschi (1593-1652) is an artist fo <span class='read-more'><a href="http://www.observer.com/node/45851">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/45851#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/36936">Agostino Tassi</category>
 <category domain="http://www.observer.com/taxonomy/term/43573">Artemisia Gentileschi</category>
 <category domain="http://www.observer.com/taxonomy/term/28216">Italy</category>
 <category domain="http://www.observer.com/taxonomy/term/43574">Judith Mann</category>
 <pubDate>Sun, 07 Apr 2002 20:00:00 -0400</pubDate>
 <dc:creator>Mario Naves</dc:creator>
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 <title>Mamma Mia: Cute, Explicit Homages to Childbearing</title>
 <link>http://www.observer.com/node/45224</link>
 <description><![CDATA[<!--paging_filter-->It's the rare artist who isable to transform kitsch into something more than what it is, and Ann Age <span class='read-more'><a href="http://www.observer.com/node/45224">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/45224#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/42903">Ann Agee</category>
 <category domain="http://www.observer.com/taxonomy/term/42904">Beatrice Mandelman</category>
 <category domain="http://www.observer.com/taxonomy/term/42905">Gary Snyder</category>
 <category domain="http://www.observer.com/taxonomy/term/30431">Willem de Kooning</category>
 <pubDate>Sun, 11 Nov 2001 19:00:00 -0500</pubDate>
 <dc:creator>Mario Naves</dc:creator>
 <guid isPermaLink="false">45224 at http://www.observer.com</guid>
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<item>
 <title>Michael Steiner&#039;s Steel Forms:  Witty, But Not Ha-Ha Funny</title>
 <link>http://www.observer.com/node/45119</link>
 <description><![CDATA[<!--paging_filter-->The sculpture of Michael Steiner, currently the subject ofan exhibition at Salander-O'Reilly Galleri <span class='read-more'><a href="http://www.observer.com/node/45119">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/45119#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/36248">Adler Modern</category>
 <category domain="http://www.observer.com/taxonomy/term/42799">Herbert Ferber</category>
 <category domain="http://www.observer.com/taxonomy/term/42798">Michael Steiner</category>
 <category domain="http://www.observer.com/taxonomy/term/42800">Paul Resika</category>
 <pubDate>Sun, 21 Oct 2001 20:00:00 -0400</pubDate>
 <dc:creator>Mario Naves</dc:creator>
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<item>
 <title>Art Submits to Mary Boone In Dealer&#039;s Chelsea Atrium</title>
 <link>http://www.observer.com/node/44064</link>
 <description><![CDATA[<!--paging_filter-->Bill Jensen currently has an exhibition of his paintings at the Chelsea branch of the Mary Boone Gal <span class='read-more'><a href="http://www.observer.com/node/44064">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/44064#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/32483">Bill Jensen</category>
 <category domain="http://www.observer.com/taxonomy/term/41529">Boone Chelsea</category>
 <category domain="http://www.observer.com/taxonomy/term/41528">Michael Bevilacqua</category>
 <category domain="http://www.observer.com/taxonomy/term/41527">Paul McCarthy</category>
 <pubDate>Sun, 25 Feb 2001 19:00:00 -0500</pubDate>
 <dc:creator>Mario Naves</dc:creator>
 <guid isPermaLink="false">44064 at http://www.observer.com</guid>
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<item>
 <title>Imagine Henry Moore Gone Minimalist</title>
 <link>http://www.observer.com/node/43789</link>
 <description><![CDATA[<!--paging_filter-->A few weeks back, I buzzed through the exhibition of Tony Cragg's new sculpture at Marian Goodman Ga <span class='read-more'><a href="http://www.observer.com/node/43789">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/43789#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/24498">Boston</category>
 <category domain="http://www.observer.com/taxonomy/term/41179">Catherine Drabkin</category>
 <category domain="http://www.observer.com/taxonomy/term/41178">George Nick</category>
 <category domain="http://www.observer.com/taxonomy/term/41177">Tony Cragg</category>
 <pubDate>Sun, 24 Dec 2000 19:00:00 -0500</pubDate>
 <dc:creator>Mario Naves</dc:creator>
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<item>
 <title>A Show of Shows: Nozkowski&#039;s Masterful Conundrums Protetch</title>
 <link>http://www.observer.com/node/42692</link>
 <description><![CDATA[<!--paging_filter-->Over the past 25 years, Thomas Nozkowski has established a sturdy career as an abstract painter. <span class='read-more'><a href="http://www.observer.com/node/42692">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/42692#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/39901">Corcoran Museum of Art</category>
 <category domain="http://www.observer.com/taxonomy/term/24696">The New York Times Magazine</category>
 <category domain="http://www.observer.com/taxonomy/term/33028">Thomas Nozkowski</category>
 <category domain="http://www.observer.com/taxonomy/term/24217">Washington, DC</category>
 <pubDate>Sun, 12 Mar 2000 19:00:00 -0500</pubDate>
 <dc:creator>Mario Naves</dc:creator>
 <guid isPermaLink="false">42692 at http://www.observer.com</guid>
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<item>
 <title>Canvases With a Taut Resolution Between Representation and Form</title>
 <link>http://www.observer.com/node/42664</link>
 <description><![CDATA[<!--paging_filter-->To state that Lois Dodd's landscape paintings, now at the Fischbach Gallery, reconcile realism and a <span class='read-more'><a href="http://www.observer.com/node/42664">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/42664#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/34306">Lois Dodd</category>
 <category domain="http://www.observer.com/taxonomy/term/39869">Maine Woods</category>
 <category domain="http://www.observer.com/taxonomy/term/34724">Stephen Ellis</category>
 <category domain="http://www.observer.com/taxonomy/term/39868">Von Lintel</category>
 <pubDate>Sun, 05 Mar 2000 19:00:00 -0500</pubDate>
 <dc:creator>Mario Naves</dc:creator>
 <guid isPermaLink="false">42664 at http://www.observer.com</guid>
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<item>
 <title>Serra, Chelsea Paradigm, Opens Gagosian Art Barn</title>
 <link>http://www.observer.com/node/42361</link>
 <description><![CDATA[<!--paging_filter-->What do we make of a gallery scene that is renowned less for art than for the spaces in which art is <span class='read-more'><a href="http://www.observer.com/node/42361">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span>]]></description>
 <comments>http://www.observer.com/node/42361#comments</comments>
 <category domain="http://www.observer.com/channel/arts-culture">Arts &amp;amp; Culture</category>
 <category domain="http://www.observer.com/taxonomy/term/39511">Dave Hickey</category>
 <category domain="http://www.observer.com/taxonomy/term/32453">Richard Serra</category>
 <pubDate>Sun, 19 Dec 1999 19:00:00 -0500</pubDate>
 <dc:creator>Mario Naves</dc:creator>
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